The genre comprising 'Inventing Anna,' 'Bad Vegan,' and 'The Dropout' delivers more than riveting girl-boss con-artist tales about white femininity. Together, they tell a bigger story about our society's susceptibility to their con.
Growing up in the 1980s, there was little in the way of queer representation on TV. Now we've shattered the celluloid closet. But is this progress restricted to our small screens?
Ramy Youssef's Hulu comedy centers on a straight, male Muslim. But in season two, it's the women who are driving the plots—and social conversations.
With the distressing realities of politics, the spread of Covid-19, and a halt to life as we knew it, there’s comfort in political dramas, if only for an hour at a time.
The 1990s were the golden age for actresses of a certain age who portrayed women much like themselves: menopausal, world-weary, and invisible to men. And they were successful—until they got canceled.
This exquisitely produced historical drama about the British Royals is really a story of unearned wealth and power. So why do feminists love it so much?
With its egregious lack of representation and cliquey chains of command, is there any wonder big outlets like NBC are covering up for predators?
We spoke with one of our comic idols, ‘Baroness von Sketch Show’s’ Carolyn Taylor, to discuss the new season on IFC, and her gift for transforming the minutiae of our everyday middle-aged lives into something to laugh about.
The new Netflix film ‘I Am Mother’ explores the genre's longstanding problems with pregnancy and motherhood.
This five-hour historical drama is not a discussion of whether Soviet Communism failed. It’s a mirror of our present moment and the danger of denial.